There was a huge monster craze in the United States from the late 50s and continuing into the early 70s. It all began when local TV stations started airing monster movies at midnight and lead directly to the publication of Famous Monsters of Filmland. After that, you could see the trend quickly escalate to The Outer Limits, “The Monster Mash,” Rat Fink, The Munsters and Dark Shadows. 

Monster mania probably ended in 1973 when a young Linda Blair used a crucifix as a dildo in the original Exorcist movie. But while it lasted, the groovy age of monsters was a happy time when all monsters hung out in the same timeline. According to journalist and pop-culture historian Mark Voger, it was a time when all monsters were best friends who shared thrilling adventures like the superheroes in the Justice League of America. 

And now, 50 years later, editor James Palmer presents his version of the Justice League of Monsters—a fearsome fighting force for freedom, made of the ghastliest ghouls and goblins of man’s imagination come to life. Membership includes (in slightly altered versions) the Wolf Man, the Creature from the Black Lagoon, Frankenstein’s monster and Count Dracula. 

Together with Moira Harker, a world-renowned monster hunter, this extraordinary league of gentlemen fight all sorts of creatures and spirits—including the Last Reich, a group of zealots who continue to aggressively promote Nazi politics. More generally, the League of Monsters simply call themselves occult researchers. 

The anthology begins with a prologue-like story by Palmer called “Gods and Monsters.” It efficiently introduces readers to the world of Monster superheroes. The League’s headquarters is a rambling Victorian mansion on the edge of the New Jersey Pine Barrens. They are mostly autonomous but have a working relationship with a shadowy government organization. It’s the early 50s and Harry S. Truman is the President of the United States. “The world,” says wolf man Ned Nyland, “is a weird and deadly place.” 

The five remaining stories are silly and preposterous in a good way. If you enjoy Universal monster icons and over-the-top antics you’ll probably like what you get here. Personally, my two favorite stories are by Russell Nohelty and Adrian Delgado. 

“Not Another Haunted House Story” follows Hank Clerval (Frankenstein’s monster) and Gill, the missing-link fish-man, to Portland in a Brave and the Bold-like adventure. It’s not the best story in the book, but it’s an excellent character study of the modern day Prometheus. Even though he’s saved the world countless times along with his colleagues, Hank can’t shake his monstrous origins. These days he’s compassionate and erudite, but he still has trouble with first impressions. “I only look like a monster,” he says. 

“Fear the Queen of Fangs” is about the rise of Sobekneferu, the first female pharaoh of Egypt and the crocodile god’s chosen herald. Flanked by a squad of gun-bearing crocodile-headed men, her goal is to kill President Truman and resurrect the dead city of Crocodopolis. Her outlandish plans are smashed by Dracula (wielding a submachine gun!) and features a thrilling superhero-like fight between a wolf man and a rhino man. It’s the final story in League of Monsters and it’s a crazy way to end the book. 

[ League of Monsters / Edited by James Palmer / First Printing: July 2023 / ISBN: 9798852078407 ]

I’m certain that various Sesame Street characters have been reimagined as horror icons over the years by various authors, illustrators and filmmakers. Big Bird from the Black Lagoon, for example, or Mr. Snuffleupagus, the invisible man. Elmo, the most upbeat moppet of them all, would make a great Chucky or Freddie or Pennywise. 

That’s what happens in Yuletide Horrors, Vol. 3, a recent anthology of holiday-themed hair-raisers. In a story called “Be My Friend, Pweese?” by Dustin Dreyling, Elmo (I mean, Wilmo) is reinvented as a frizzy green monster that looks like it came from a nightmare world at the bottom of the ocean.

As a Yuletide gift for a little girl, Elmo (I mean, Wilmo) is the ultimate Christmas present from Hell. Right out of the box, he attacks everybody in the Preston family. “Wilmo is going to eat your faces!” he screams in an unnerving cartoon voice. “Rrrraaagggghhh! Kill you now!”

During the assault, the little green fuzzball is surprisingly chatty and vulgar (“Wilmo will fuck your skull with his little hard pecker,” he says), but he still can’t ruin the Preston’s Christmas. “Watch your mouth,” cries the Preston matriarch as she takes a power drill to Wilmo’s face.   

A big chunk of Yuletide Horrors is dominated by a qualogy of stories by Christofer Nigro. Taking place during the holiday season of 1977, his series of interconnecting tales brings the classic Triad of Terror to a small midwestern town called Marksdale. 

In the first installment, Wilson Chambers is excited to join his relatives for a Christmas dinner. As a vampire he’s looking forward to a feast of blood and viscera  with a little sweet revenge for dessert. Embarrassingly, a slice of garlic bread gets the better of him. 

In the second story, a werewolf rips apart his extended family during a yearly reunion. Apparently everybody forgot that a full moon was lighting up the night sky. Writes Nigro: “It truly was the most wonderful time of the year.”

Next, Dr. Frankenstein’s latest reanimation project comes to town. Newly reborn, Brad Iverson was now a giant flesh golem looking for some long-simmering payback. “I wasn’t turned into a monster,” he tells his mouthy cousin, “I’m now a superior being—a superhuman. No longer do I have to suffer the bullshit of other people.”

The qualogy reaches its climax with a “Christmas Monster Mash, or Two Triads of Terror Come to Marksdale.” The multiple fights between the vampire, the werewolf and Frankenstein’s monster are the highlights of the third volume of Yuletide Horrors. It’s kind of like a sequel to House of Frankenstein. Like everything else I’ve ever read by Nigro, the story is an enjoyable jumble of influences drawn from pulp magazines, comic books and monster movies. 

[ Yuletide Horrors, Vol. 3 / By Christofer Nigro with Dustin Dreyling and Kevin Heim / First Printing: November 2023 / ISBN: 9798990366107 ]

Every year people travel to the small town of Point Pleasant, West Virginia, to celebrate the first appearance of Mothman back in 1966. They visit the Mothman Museum, buy trinkets and memorabilia, eat some pancakes and get a selfie with the Mothman statue. The festival’s website says it’s “fun for the kids.”

But when Rian, a TikTok content creator, comes face-to-face with the legendary insect man, he questions the festival’s family friendly reputation. Nothing about what he sees would make a good plush toy or Funko Pop figure. This is a thing that should be hidden in a basement, he thinks. “This isn’t the ideal mascot for pancakes at a festival in September. Everybody’s wrong. This thing is real and not totes adorbs.”

Fittingly, the giant mutant grabs Rian and impales him on the Mothman statue on Fourth Street. Pinned on the stone effigy like a Christmas ornament, the grisly death goes viral with the song “Rudolph the Red-Nosed Reindeer” playing in the background. 

All ensuing Mothman attacks are underscored by a creepy soundtrack of “Rudolph” and “Frosty the Snowman.” Combined, the two songs become an ominous leitmotif similar to the famous Godzilla theme by composer Akira Ifukube. 

Mothman’s ongoing connection to “Rudolph the Red-Nosed Reindeer” is an important plot point in Red Ice, the latest monster novel from Damien Casey. The holiday song was originally used to comfort the cryptid in 1952 when it was birthed in a government-funded laboratory. 

“Rudolph” was more than a sonic pacifier, however. The bug baby instinctively related to the red-nosed reindeer’s outcast status. Like poor Rudolph, the young man-made creature longed for companionship and friendship. The song’s enduring sadness would inform Mothman’s motives for the rest of its life.

Unlike Rudolph, Olive and all the other reindeer, Mothman couldn’t be reimagined as a cuddly stuffed toy. It was a horrible-looking thing specifically created to be a weapon against America’s adversaries—a blasphemous blend of man, moth and bat. It could easily pinpoint and hunt down a single fly in a wide-open space as big as 15 miles with the same efficiency as a great white shark smelling blood. “It was the perfect killer,” writes Casey. 

Over the years, Mothman became a twisted mess of contradictions and eventually succumbed to its prime directive. It couldn’t escape its DNA code that provoked the thrill of the hunt and the love of bloodshed. Genetic scientists had done their job well: Mothman was the world’s deadliest soldier. 

As good as it is, readers may feel slightly adrift during Red Ice. There’s no protagonist and no dominant point of view to anchor the narrative. Readers will also notice that author Casey has an “interesting” relationship with grammar. And finally, Red Ice never realizes its true potential—it’s a short piece of work that could easily expand to over 90,000 words. 

Fortunately, the novel is packed with plenty of quirky humor and moments of excellent craft. The prologue, for example, which chronicles Mothman’s infancy, is terrific and exists as an effective short story on its own. 

Near the end of the book, a nine-foot-tall Mothman hovers over its final prey. The creature hesitates for a few seconds, processing how it wants to kill its intended victim. How long should it take? How much pain should it inflict? For Mothman, It was all just a game—a reindeer game. 

[ Red Ice / By Damien Casey / First Printing: November 2023 / ISBN: 9798868357374 ]

Cleopatra was the monster darling of Hollywood—a 4,000-year-old mummy gal who looked like a rockabilly version of Marilyn Monroe. Everyone agreed, she was stunning. “A vintage throwback horror dream of every man’s fantasy.”

Her career was in overdrive, but her personal life was a total wreck. Her father was a manipulative jerk and her fiancé was Frank N. Stein, the mad creation of Doctor Victor Frankenstein VII. 

Author Loretta Kendall described Frank in this way: “He looked like a typical greaser, complete with leather boots, a white T-shirt with the sleeves rolled up and matching rolled-up blue jeans. It was like looking at a Frankenstein version of 1950s Fonzie from Happy Days.” Cleo described him another way: “He was an asshole.”

Frank N. Stein and Papa Imhotep had plans to rule the world together. They were in possession of a powerful grimoire called The Necronomicon, but they also needed Cleo’s elemental power of regeneration in order achieve their dastardly goal.  

The one person uniquely capable of thwarting them was Victor Frankenstein himself. After all, he  was the guy who created Frank N. Stein and understood the art of reanimation intimately. Once a villain, he was now attempting to atone for his crimes against humanity. “I’m trying to fix the damages I’ve done,” he told Cleo. “I’m working hard to become a man of integrity.”

Victor and Cleo shared common goals, but they didn’t automatically click when they teamed up. He thought she was a bleach-blonde Botox bimbo with fake tits, and she thought he was a sex maniac and a colossal jackass. 

In truth, they weren’t totally wrong. Cleo was undeniably hooked on her glamorous Hollywood lifestyle and Victor was an unrepentant egomaniac who built his fortune by reanimating dead folks as sex slaves.  

Despite their differences, however, Cleo and Victor formed an alliance to smash the evil machinations of Frank N. Stein and Imhotep. Along the way, something surprising happened—the mummy and the mad scientist fell in love.  

Like Kendall’s previous novel in her Ghouls and Gals series (read my review here), Horror Earth is a place awash in midcentury monster miasma. Mummies, ghouls, werewolves, vampires and one-eyed, one-horned, flying purple people eaters mingle with humans in a hootenanny of rockabilly and bop. It’s a ginchy mix of monsters, romance and kinky sex with lots of laffs and clever word puns.

For me, Kendall’s latest effort really comes alive in Chapter 25 when she brings back a handful of popular characters from her first book, Gigi’s Monster Garage. To save the world, they all agreed to form a confederacy of monsters. 

At the very end, Fox Adams (the romantic object of lust from the first novel) asks: “Are we like a superhero team now? I feel like we’re superheroes.” A seven-foot Sasquatch named Barrett Jackson shakes his head no, “That’s not possible,” he says. “Monsters are real, but superheroes are fake.”

[ Cleo’s All Tied Up / By Loretta Kendall / First Printing: September 2023 / ISBN: 9798861406765 ]

Wingaersheek Beach in Massachusetts was a place people went to wash away the weekly work struggles with the ebbing tide, crunching sand between toes, relaxing under the setting sun—these were the ways to forget about the troubles in the world.

In Brian Gatto’s novel Evil Eyes, Winga Beach was also ground zero for a devastating giant crab invasion. “It was like something out of an apocalyptic scenario,” wrote Gatto. “The crabs came and conquered—today Gloucester, tomorrow the world.”

Before the crabs arrived, Massachusetts’ North Shore was a peaceful place home to generations of fishermen, young families, comic book nerds and headbangers. It was also the adopted hometown of 29-year-old Paula Lucile, a sexy adult model hoping to escape her manipulative manager and ex-boyfriend. 

One day, without warning or provocation, five enormous crabs emerged from the boggy beach. Besides being over 12 feet tall, they were not normal New England crabs. They had hate and bloodlust in their eyes and they enjoyed torturing their victims before gobbling them up. Hearing them eat, said the author, was like hearing someone slurping ramen noodles through a sippy cup—the kind with an attached straw. “We’re all going to die!” cried police deputy Vince Drayton. 

The crabs were tearing up downtown Gloucester, but somehow there was still time for a little romance. Paula had bumped into Nick Anderson at the local comic book shop and the pair quickly bonded over their love of Galacta Girl and Annihilator: Crime Zone. They made plans to celebrate Nick’s 18th birthday that night at a popular local restaurant called the Catch’n’Feast. 

Nick was totally shocked that someone like Paula was interested in him. He was scrawny and not very attractive and she was a glamorous pin-up gal with boobs the size of watermelons. The curvy model didn’t care that Nick looked like a homeless wet dog. After ditching her former salacious lifestyle in Los Angeles, Paula was looking for something a little more sober. Nick was everything she could have wanted. He had a beautiful soul, she thought. 

As you’d expect, the crabs had a nefarious origin story linked to a secret military experiment. The government wanted to create a squadron of crabs with human intelligence that could hypothetically control the waterways. If coastlines weren’t safe, then water traffic wouldn’t be safe. Supply chains would be disrupted, world economies would crumble and the U.S. would rule the Seven Seas like a modern-day Poseidon. 

Unfortunately things didn’t work out exactly as planned. The crabs grew large, escaped from captivity and pursued their own agenda. Massachusetts was the first stop on their ravenous world domination tour.  

Admittedly there were problems with Evil Eyes that could have easily been fixed by an attentive editor, but I enjoyed reading it nonetheless. There’s no way I could ever give a giant crab novel a bad review—that’s just the way I’m wired. 

I have two specific comments however. One: Nick was clearly a wish-fulfillment-type of character. That meant he was a little bit annoying. And two: Readers might be disappointed that Nick and Paula don’t have time to consummate their relationship. Male readers in particular may suffer from epididymal hypertension by the end of the novel. 

[ Evil Eyes / By Brian Gatto / First Printing: February 2023 / ISBN: 9798378460113 ]

I’ve said it before and I’ll say it again—I don’t think it’s possible to write a bad Bride of Frankenstein story. Mary Shelley only mentions the bride intermittently in her novel, but hundreds of writers have since been inspired by the idea of a female Frankenstein monster.

There’s a terrific Bride of Frankenstein story in a new anthology called The Damned: Classic Monsters. The bride (named Marieke by author Mercedes M. Yardley) was only 30 minutes old when she learned that she’d been created solely to be a monster’s mate. Trigger alert: She wasn’t given an opportunity to express her feelings one way or another because her lips were sewn shut. 

At first Marieke was confused by her contradictions. Dr. Pretorius professed that she was created to rival the gods and Dr. Frankenstein called her a work of art. But she knew, after being paired with her ghastly betrothed and fleeing a mob of angry villagers, that she was a monster herself. She was inextricably the “Sum of Her Parts.”

A couple of stories from Classic Monsters featured vampires from two decidedly different perspectives. “Renfield’s Journal,” for one, was a first-person account from Dracula’s infamous majordomo. What was it like eating rats and cockroaches in the castle dungeon while devoting your life to the king of vampires? Author Lance Taubold knew the shocking truth. 

“What Was Once Flesh” by Tim Waggoner was a story about an old vampire named Al who was mentoring a newly turned vampire. Dylan, the enthusiastic rookie, had questions about his new undead reality. “I’m an apex predator now, the very tip-top of the food chain,” he asked. “But am I more than that? Am I evil?”

The answer, of course, was yes. But Dylan’s idea of evil paled in comparison to the evil machinations of his wizened partner. Drinking blood from the animus (the soul) was like ambrosia to Al and he was using Dylan as a pipeline to his addiction. Even though he wasn’t technically alive, Al had found a way to live the good life.  

For personal reasons, my favorite story was “The Invisible Man” by Jeff DePew because I know firsthand how it feels to be invisible. It sucks. Being unseen can be an effective survival tool, I guess, but it’ll drive you crazy in the end. 

I can’t end this review without mentioning Jeff Strand’s zany contribution. Carl, a 25-year-old werewolf, reluctantly agrees to appear in an adult movie. It’ll be the ultimate porno flick, promised the director. “A bestially masterpiece beyond anything the world has ever seen.” 

“Werewolf Porno” was funny, but it wasn’t without considerable collateral damage. During filming Carl the psycho werewolf killed everybody on set. Not to worry, however; the movie’s director got exactly what he wanted. Blood Orgy Rampage of the Werewolf became the #1 bestselling underground DVD of the year. 

[ The Damned: Classic Monsters / Edited by Mathew Kaufman / First Printing: October 2023 / ISBN: 9781734131123 ]

Monsters aren’t just wurms, woodwoses, wolf-men and spider whores. Like everyone else, they can be brothers, sisters, mothers, fathers, rappers and cowboys. According to More Than a Monster, a new anthology edited by Rachael Swanson, they can even be anti-Santa’s little helpers. 

It’s true, as Swanson writes in her brief introduction to this volume, that monsters occupy uncharted realms of the human experience, but they remain monsters nonetheless. Big or small, old or young, they all share the same history—at some point in their lives they’ve done monstrous shit. 

That’s what author Bert S.G. says in his nuanced story called “The Last Days of Monster Park.” Located somewhere in the radioactive hellscape of the Mojave Desert, Monster Park is a place where scary creatures and mutants are safely quarantined. Once captured by the authorities, they’re encouraged to work out their issues with therapy sessions, meditation, journaling and lots of weed. 

Unfortunately, it’s hard for such a disparate group of monsters to coexist. In Monster Park there are gill men, spider ladies, animated skeletons, werewolves, blobs and vampires mingling with each other. There’s always going to be some sort of conflict brewing—sometimes fatally. 

Monsters generally don’t get along with other monsters and they certainly don’t get along with their human neighbors either. Even shapeshifters have difficulty fitting in. That’s the case with stories by David Rider, Zachary Rosenberg and T.M. Morgan. Whether it’s a gang of preteen werewolves, a suburban jorögumo or a hungry monther, nobody can hide their monstrous nature forever. 

But who are we to judge? Larry Talbot didn’t ask to be bitten by a werewolf, King Kong didn’t want to leave Skull Island and the Bride of Frankenstein didn’t want to marry a monster. Like Howard the Duck, all monsters are trapped in world they didn’t make. 

For balance, the editor includes a couple of stories in her collection which feature monsters and humans finding common ground: “Take My Hand” by Christie Hansen and “Vesper’s Garden” by Ville Meriläinen. 

Hansen writes about an awkward meeting between a female troll and a distressed woman lost in the swamp. What follows is a series of misunderstandings (some comical and some not) between the two ladies. Everything works out for the best, thank goodness. The story’s charitable title turns out to be both figurative and literal. 

More profound is Meriläinen’s story about a tightly knit family of enchanted woodland creatures. The moondeer are generally shy, but when provoked they embrace a tribunal of ultra-violence. 

There is no wisdom in anger, however, and one fateful night teaches the moondeer to take responsibility in the face of unresponsive nature. By living harmoniously with their human neighbors, they learn that forgiveness is a gift they can give to themselves. 

[ More Than a Monster / Edited by Rachael Swanson / First Printing: September 2023 / ISBN: 9781960534057 ]